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SLMC

SLMC is a Norwegian net- and CD-R label for improvised music: Even the improvisers argue the compository of their work!
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SLMC
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IDIOM 3 displays the rhythmic side of IDIOM. The music is free and inspired by both Bitches Brew and Throbbing Gristle, while maintaining the moody and aggressive presence of the musicians, qualities which has made IDIOM one of the roughest improv/noise acts in Oslo. Featuring: Lars Lervik (electronics), Stian Moen (bass), Tore Stavlund (gitar), Hans Christian Almendingen (percussion/electronics)
Topics: improv, noise
SLMC
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The open form expeditions of IDIOM is now drifting into Stockhausen territory. This is the first release of a series of sessions where the group work with music inspired by Stockhausen's text compositions. Featuring: Stian Moen (bass), Lars Lervik (electronics), Tore Stavlund (guitar, electronics), Hans Christian Almendingen (percussion)
Topics: Open form, intuitive music, text compositions, Stockhausen
SLMC
by Lars Lervik
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She a ghost is an EP by Lars Lervik. The music is repetitive and melodic with a touch of melancholy, a lot of dark ambience and pure rhythmic minimalism. The soundtextures are based on improvisations with electronics, guitars and programming. Lars Lervik is based in Oslo. This is his second solo EP.
Topic: melodic,melancholy,ambient,minimalism
SLMC
by Tore Stavlund
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Gitararbeider, mars 2011 is the first of in a series of cdrs representing the solo guitar work of Tore Stavlund (LAND, IDIOM). The material included on Gitararbeider, mars 2011 is based on two sessions in mars 2011 recorded in the IDIOM studio onto a zoom recorder. The sound is ambient and hauntological yet material in its matter of factly aesthetic. The tracks are slightly inspired by the Solaris st by Edvard Artemiev and the ambient dronescapes of Thomas Köner. «Uten tittel (Duo)» and...
Topic: guitar,ambient,hauntology,artemiev,köner
SLMC
by LAND
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LAND is the project of Juan Diaz and Tore Stavlund and can be described as improvised and ambient music for guitar and piano. The music gets its distinctive stamp from Diaz's melodic phrasing and Stavlund's prepared textures. This time darker and floatier with reminisence of The Sight Velow and Pierre Schaeffer rather than Cage and Fennesz.
Topics: improvisation, ambient, melodic, prepared
SLMC
by IDIOM
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The recordings presented on RING were done during the same session as IMPROVVVV in mars 2007. But if the music on IMPROVVVV was edited and processed, the music on RING is the real deal. RING is unedited raw improvisations live in studio and you can clearly here the participants work their equipment. And if you listen closely you might be lucky to here the Anthony Braxton-sample in #3 just before the hard hit distorted bass kicks in, which later became the opening riff for the IMPROVVVV main...
Topics: improv, noise, improvisation, unedited
SLMC
by LAND
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LAND is the project of Juan Diaz and Tore Stavlund an can be described as improvised and ambient music for guitar and piano, with references to Fennesz Sakamoto's album Cendre. The music gets its distinctive stamp from Diaz's melodic phrasing and Stavlund's prepared textures.
Topics: improvisation, ambient, melodic, prepared
SLMC
by Plantrain
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Plantrain is the solo project of HC Almendingen. Originally based upon improvisations that have been edited into more song-like structures, the music is a mix of ambient textures and live percussion.
Topics: ambient, percussion, textures
SLMC
by Station
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Station is a piece for transit radio, (the old Kurér), and guitar effects, performed and recorded by guitarist Tore Stavlund onto a mini disc recorder in his living room in Oslo, may 2004. It is safe to say that the work clearly reveals a fascination for the kind of radio- and effect work of Keith Rowe. Featuring: Tore Stavlund (Radio, guitar effects)
Topics: guitar, radio, Keith Rowe, Kurér
SLMC
by IDIOM
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IMPROVVVV was recorded in 2007 as a collaboration with video artist Endre Tveitan, based on the VVVV software and resulting in the video installation IMPROVVVV as well as the three tracks presented on this disc. The music is moody and introverted, but also has an aggressive presence, qualities which has made IDIOM one of the roughest improv/noise acts in Oslo. Featuring: Lars Lervik (electronics), Tore Stavlund (guitar), Stian Moen (bass)
Topics: improv, noise, vvvv